Dig  al T  evis on

A few weeks ago, Prairie and I got our TV Converter Box Coupons from the government, so that we could happily continue to pump propaganda into our brains watch our favorite shows after the analog stations are turned off in February. I wandered down to the seventh circle of Hell Best Buy and picked up two of the converter boxes (the Insignia NS-DXA1). Rather than hooking both up right off the bat (tempting as that was, since I was a geek with new toys), I just hooked up the larger living room TV. This made sense, as it’s the one that has all the other fancy gadgets on it and requires me being home to successfully juggle five remotes — Prairie just sticks to the little one in our bedroom that only uses two remotes.

After a few weeks of using it…well, much as I like the idea of digital TV, the reality — at least as far as over-the-air broadcast goes — is definitely a bit of a mixed bag.

The box itself is fairly nice: simple to set up and use, with only a few minor caveats. For some reason, in addition to the blue ‘on’ light that’s quite standard for electronics, this also has a bright red ‘off’ light that looks oddly like there’s a Cylon staring at you when you’re not watching TV (incidentally, this is another reason we’ve not hooked one up in the bedroom yet). The on-screen guide doesn’t always seem to be accurate, though that may be the fault of the local broadcasters. Aside from that, I’m quite happy with it — the image quality is nice, and a noticeable step up from analog broadcasts, and the audio, while limited to standard 2-channel stereo (one of the requirements of the coupon-eligible boxes), seems good enough to my ears. The box also allows you to choose how it sends the video to your TV screen: letterboxed to preserve the widescreen aspect ratio; cropped to fill the square screen at the expense of information on the sides; or ‘squeezed’, where the widescreen image fills the square screen, making everyone look really really skinny. This is actually my preferred method when a show is broadcast widescreen, as my TV (a Sony Wega KV-27FS17) has an ‘anamorphic’ mode that ‘squishes’ the ‘squeezed’ signal into a 16:9 area, increasing the resolution and quality of the displayed image (geeky tech-speak for “it looks better this way”).

However, our one big issue is simply this: when analog TV signals dropped or had some form of interference, you got a little bit of snow or static, but you could still watch the show. When digital TV signals drop or hit interference…well, if you’re lucky, you’ll just get some ‘blocking’ in the image, like when a video DVD has a fingerprint. More often, though, the signal drops so far that first the audio, then the video cuts out entirely. This ends up being far more frustrating than the old analog issues, as it’s a total disruption of the signal. As interference seems to depend a lot on weather, Prairie and I have taken to watching TV on the little 13″ TV in the bedroom that still gets analog signals on rainy nights rather than even trying to watch the big TV with the digital receiver. A crystal-clear signal is only good when you get that signal, after all!

I keep finding myself wishing they’d tweaked the digital transmission standard so that the video was the first thing to go with a bad signal, rather than the audio. If the video cut out but the audio was still going, you could still follow along pretty well while the video did its little dance of cubist surrealism, but when the audio craps out, it’s just frustrating (especially when watching, say, a show like Jeopardy).

I’ve heard that a good antenna could alleviate the problems, but when we’re living in a rental apartment, there’s not much we can do on that score. Good old-fashioned rabbit ears will have to do.

So, in the end, it’s a mixed bag. It’s great when it works, but when it doesn’t work, it’s a lot more frustrating than the “old-n-busted” system ever was.

Britannica Webshare

Here’s a fascinating program: the Encyclopedia Britannica is introducing Britannica Webshare:

Britannica WebShare is a program that makes it easy for Web publishers to use the information in the Encyclopaedia Britannica for their own research and to share it by providing their readers easy access to individual articles.

Anyone who publishes regularly on the Internet—bloggers, webmaster, and writers who publish on the Web—is eligible for a free subscription to Britannica Online, which includes the entire Encyclopaedia Britannica as well as other encyclopedias, an atlas, a dictionary, thesaurus, links to valuable Web sites selected by our editors, and more.

What’s more, anyone with a Web site can link to a Britannica article—or multiple articles—and readers who click on the links will see the articles in their entirety, even if the article is normally available only to paying subscribers.

Sounds nice, and a welcome companion/competitor to Wikipedia. I’ve applied, now it’s just a question of whether I’ve been regular enough as of late to get accepted. ;)

The Queen’s own English, base knave, dost thou speak it?

A bit of pseudo-Shakespearean silliness, originally by ceruleanst:

ACT I SCENE 2. A road, morning. Enter a carriage, with JULES and VINCENT, murderers.

J: And know’st thou what the French name cottage pie?
V: Say they not cottage pie, in their own tongue?
J: But nay, their tongues, for speech and taste alike
   Are strange to ours, with their own history:
   Gaul knoweth not a cottage from a house.
V: What say they then, pray?
J: Hachis Parmentier.
V: Hachis Parmentier! What name they cream?
J: Cream is but cream, only they say le crème.
V: What do they name black pudding?
J: I know not;
   I visited no inn it could be bought.


J: My pardon; did I break thy concentration?
   Continue! Ah, but now thy tongue is still.
   Allow me then to offer a response.
   Describe Marsellus Wallace to me, pray.
B: What?
J: What country dost thou hail from?
B: What?
J: How passing strange, for I have traveled far,
   And never have I heard tell of this What.
   What language speak they in the land of What?
B: What?
J: The Queen’s own English, base knave, dost thou speak it?
B: Aye!
J: Then hearken to my words and answer them!
   Describe to me Marsellus Wallace!
B: What?
JULES presses his knife to BRETT’s throat
J: Speak ‘What’ again! Thou cur, cry ‘What’ again!
   I dare thee utter ‘What’ again but once!
   I dare thee twice and spit upon thy name!
   Now, paint for me a portraiture in words,
   If thou hast any in thy head but ‘What’,
   Of Marsellus Wallace!
B: He is dark.
J: Aye, and what more?
B: His head is shaven bald.
J: Has he the semblance of a harlot?
B: What?
JULES strikes and BRETT cries out
J: Has he the semblance of a harlot?
B: Nay!
J: Then why didst thou attempt to bed him thus?
B: I did not!
J: Aye, thou didst! O, aye, thou didst!
   Thou hoped to rape him like a chattel whore,
   And sooth, Lord Wallace is displeased to bed
   With anyone but she to whom he wed.

(via Boing Boing)

Music IQ

Not bad for an ex-DJ, though I’ll admit that I did better than I thought I would

Mix-Tape Master (109-144 points)

You are a music evangelist: the person in your network of friends who always has the coolest new song, the one whose iPod gets picked to DJ every party. You understand the art of the segue, how the key to the best mix-tape isn’t just the songs you pick, but how they interlock with each other. You also know who the up-and-coming acts are and are quick to recognise where their influences lie and whether they will make it big. You work hard at the pursuit of this knowledge, scouring music blogs, magazines and record stores. Most importantly, you are generous with your passion – and your friends should be very, very grateful. Still, it’s always good to get new inspiration for your latest mix.

(via Paul)

2:42

Joshua Allen (aka Fireland) uses Science! to determine the perfect song length: two minutes and forty-two seconds.

Just look at what clocks in between two and a half and three minutes: “Mr. Tambourine Man,” “We Got the Beat,” “Boys Don’t Cry,” “Hot Fun in the Summertime,” “Good Times Bad Times,” “I Would Die 4 U,” “Paranoid,” “Blowin’ in the Wind,” “Debaser,” “God Only Knows,” and “Fall on Me.” These are not only stone-cold classics but they also encapsulate all that is great about the band without wasting your goddamn time.

The scientists then dug up this song by a group that pretty much defines one-hit wonder: the La’s. The song is “There She Goes,” and is so flawless that it instantly made everything else the band did pointless. This ditty is two minutes and 42 seconds, and is all about songwriting economy.

I listened to it and said, in my rich and sonorous timbre, in my typically concise and absolutely-nailing-it fashion: “Here is a song that has everything I need and nothing I don’t.”

Out of curiosity (and amusement), I did a quick scan of my music collection to see what I had that clocked in at this magical time. Here’s a few that I noticed that deserve mention (though whether they prove or disprove his conclusions may well depend on your personal taste)…

  • The Beastie Boys, “Lighten Up”
  • Count Basie, “April in Paris”
  • Mark Dinning, “Teen Angel”
  • The Tokens, “The Lion Sleeps Tonight (Wimoweh)”
  • Neil Diamond, “Red, Red Wine”
  • The Mamas and the Papas, “California Dreamin'”
  • Pearl Jam, “Oceans”
  • Bow Wow Wow, “I Want Candy”
  • The Violent Femmes, “Mother of a Girl”
  • The Drifters, “Under the Boardwalk”
  • Frank Sinatra, “Lover”
  • Chuck Berry, “Johnny B. Goode”
  • Danny and the Juniors, “At the Hop”
  • Depeche Mode, “Enjoy the Slience (Harmonium Mix)”
  • The Mouseketeers, “The Mickey Mouse Club March”
  • The Andrews Sisters, “Boogie Woogie Bugle Boy”

All in all, some good stuff in there. He just might be on to something…

What’s your song?

Go here, plug in your birthday, and it’ll give you the #1 Billboard song for the day you were born.

What’s yours?

Lunchtime

Flickr has video now! This is a silly little meme that’s going around called Fridgets: short little videos with the camera inside the fridge.