I love my Roku

Readers Digest condensed Cliff’s Notes executive summary version: Do you have a Netflix account and a reasonable (1.5 MB/s or better) broadband connection? Then you should have a Roku player. That’s it.

So a couple months ago, I had a birthday, and with that birthday came some a little bit of spending money (courtesy of Prairie’s mom) that I wasn’t sure what to do with. As I’m in school, not making money, and existing solely on financial aid and Prairie’s good graces, I’ve gotten very used to spending money only on what’s necessary, and not on toys or frivolities. Because of this, I didn’t have much of a “wish list,” and the things I’m generally likely to spend money on — used books and vinyl — I currently have stacks of, waiting for me to find time to either read or import into the computer, so adding to the stacks (as enjoyable as that is) didn’t seem like the best way to go.

I let the money sit for a while as I played with various ideas, and eventually decided to go for something I’d been eyeballing for a while, but which had always fallen into the realm of “neat toy that could be fun, but isn’t really necessary right now”: a Roku digital video player.

Roughly two months in, I can easily say that this was one of the best impulse buys I’ve made in a long, long time.

First off, the basics, in case you haven’t heard of the Roku before. Originally developed at and for Netflix, and later spun off into its own company and opened to more content providers, the Roku is a tiny little set-top box that plugs into your TV, giving you access to the Netflix library of streaming “Watch Instantly” titles. Prairie and I had just recently started discovering the joys of Netflix’s streaming library (with the addition of my new iMac, as before that, none of our computers were new enough to support Netflix’s streaming service), but camping out in my office to watch shows on my computer wasn’t nearly as comfortable as our living room, so the Roku sounded like a nice addition to the house.

Setup is dead simple. The box is small, and if you have a WiFi network at home, requires the bare minimum of cables: power, and the connection to the television (if you don’t have WiFi, you’ll need to run an ethernet cable to the box). It has the three primary video connection methods (composite video, for old-school TVs like ours; component video, for higher-quality video on TVs that support progressive scan input; and HDMI for High Definition TVs) and both standard stereo and optical audio output.

Getting started took just a couple minutes: I plugged it in, told it which WiFi network to use and put in the password, and after a brief moment to let the box download and install new firmware and reboot, it was up and running. I popped into the Netflix channel, chose something in my Instant Watch queue, and was watching a show no more (and probably much less than) ten minutes after opening the box. Impressive!

The Netflix interface is slick and simple, and — thanks to a recent software update that actually came out just before I got the Roku — allows for searching and browsing the Netflix streaming library, and shows off all the recommendations of things that Netflix thinks we’ll enjoy watching.

There’s a lot more than just Netflix available, though. Roku’s channel store has an ever-growing library of options, with lots of internet-based shows and podcasts, sports channels, Pandora radio, and — our personal favorite after Netflix — Amazon Video on Demand. Last weekend after seeing Inception, Prairie and I were still in the movie mood, decided to see what new releases Amazon had available, and ended up renting, watching, and thoroughly enjoying Whip It!.

Our feelings at this point: Blockbuster is doomed. Outside of needing something rare enough that it’s not available to stream from Amazon or Netflix and soon enough that we can’t put in our physical Netflix queue, we have absolutely no reason to physically rent a video anymore. Movie theaters aren’t in much better shape, either — the entire experience of watching something at home is so much nicer, more comfortable, more convenient, and cheaper than going to the movies that we’ll be doing that far less than we already do (and we haven’t been going terribly often as it is).

The video quality of the Roku is great, as well. Admittedly, ours is helped somewhat by my television (geekery: though it’s an older, standard-ratio TV, this model Sony Wega offers an “anamorphic compression” mode that squeezes the picture down to a 16:9 ratio from the standard 4:3 ratio, increasing the resolution as it does so; this allows me to tell the Roku that it’s connected to a widescreen TV, at which point it outputs an anamorphic signal that results in a higher resolution and better quality image than if it were outputting the standard 4:3 640×480 TV signal), but the image quality easily matches (or at least comes very, very close to) what we see out of our DVD player. One of the very few disappointments I’ve had with the Roku (and a very minor one at that) is that while my TV can accept component video, the Roku apparently will only output component video as progressive scan output, which my TV doesn’t support, so I’ve had to resort to the lowest-quality composite video connection. Still, the quality we get is good enough that I can’t really complain — and when we finally get around to upgrading to an HDMI-capable HDTV, the quality will only get better!

There are a few relatively minor caveats to the Roku. Most importantly, you do need a reasonable (1.5 MB/s) broadband connection, and for HD video (not an issue for me at the moment), it requires at least a 5 MB/s connection (which, even if I had the hardware to display HD video, isn’t available from Qwest at my address yet). A WiFi network, while not necessary, as the box does have ethernet input, is highly recommended, as it keeps you from having to string more cabling around your house. And, of course, with any online-based service, there is the potential for network or server issues to occasionally get in the way, though we’ve had very few times where this was an issue (and when it was, Roku and Netflix were both good about communicating with their customers, and we even got a bit of a refund from Netflix to make up for the service interruption).

In short, we love this box. We’ve been using it nightly, bouncing among a number of shows that catch our eye (recently: Bones, Futurama, Law and Order, Red Dwarf, and 30 Rock), and saving movies for when we have the time and interest to invest in a movie. This has increased our usage of the streaming service to the point where we’re considering dropping our Netflix subscription from our current 3-at-a-time down to the basic 1-at-a-time service, as Netflix (so far, and I hope this continues) is kind enough to offer their streaming service without limitation at all subscription levels. Good deal!

Once again: if you have Netflix and broadband, you really should have a Roku.

Thoughts on Inception

Prairie and I went to see Inception last week, and as I tweeted afterwards, I ended up really enjoying it, while Prairie didn’t like it as much. As she’s not as much of a sci-fi buff as I am, and has a lower tolerance for violence, that’s not a very surprising result.

As good as it is, I don’t find Inception to be a perfect film. Some of the things that bothered Prairie bothered me as well as I was watching it. Interestingly, some of these very things end up making more sense — or, at the very least, become less troubling — when viewed in the light of one of the more interesting interpretations of the film.

As Inception is still in its opening weeks, I’m going to go ahead and put the rest of my ramblings under the cut, for those who’d prefer to avoid spoilers…

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Links for July 19th through July 22nd

Sometime between July 19th and July 22nd, I thought this stuff was interesting. You might think so too!

  • BP Cleanup Workers Gone Wild: "'We'll be here as long as oil keeps washing up,' the contractor says. 'So…' I laugh sort of helplessly. 'A year?' 'Three years…' he says. 'Five years…' 'Hopefully forever,' the guy next to him says. 'I need this job if I can't work offshore anymore.' Last week, the emcee that accompanies the oil wrestlers yelled into the microphone, 'Let that oil gush! Let that money flow!' The workers–part of the new Grand Isle scenery of helicopters, Hummers, and National Guardsmen, serious people in uniforms and coveralls and work boots–the workers around the wrestling ring, drunk and blowing cash from jobs that might kill them, cheered."
  • Photos and Public Security: "Legally, it's pretty much always okay to take photos in a public place as long as you're not physically interfering with traffic or police operations. As Bert Krages, an attorney who specializes in photography-related legal problems and wrote Legal Handbook for Photographers, says, 'The general rule is that if something is in a public place, you're entitled to photograph it.' What's more, though national-security laws are often invoked when quashing photographers, Krages explains that 'the Patriot Act does not restrict photography; neither does the Homeland Security Act.' But this doesn't stop people from interfering with photographers, even in settings that don't seem much like national-security zones. "
  • Geek Culture’S 26 Most Awesome Female Ass-Kickers: "A minority presence in sci-fi and action realms even in 2010, women warriors remain the exception to the guy-centric rule in film, TV, videogames and comic books. But that's changing, according to Action Flick Chick blogger Katrina Hill, who moderates the 'Where Are the Action Chicks?' panel Friday at San Diego's Comic-Con International. 'Compare the original Predator to this summer's Predators,' she said in an e-mail interview with Wired.com. 'The original film was a complete boy's club, with the only woman in the movie being a hostage. Today, Predators has a kick-ass chick mixed in as an equal amongst these other badass men. So there are steps being taken in the right direction. It just takes time.' Here's a look at 26 sexy-fierce female ass-kickers who've relied on biceps and brains to periodically kick-start geek culture."
  • How Angelina Jolie Fought to Keep Salt From Becoming "Pretty": "Angelina Jolie's spy-fi movie, Salt, was originally supposed to star a man. But after she came aboard, Jolie fought to keep her character from turning into a stereotypical femme fatale. We talked to her about busting heads, MacGyvering and more. During the roundtables for the spy film Salt, we sat down with Angelina Jolie, Producer Lorenzo di Bonaventura, and Director Phillip Noyce."
  • Angelina Jolie Jolts a Man’s World: Action Films: "'It's definitely unusual that a female has become an action star,' 'Salt' producer Lorenzo di Bonaventura says. 'But it's a funny thing. She's not a female action star; she's an action star. She's really the first female to transcend gender. I don't think it's occurred before.'"