eclecticism

It took a while, but I finally got my photos from the Puyallup Fair processed and uploaded. Prairie and I went on a whim late in the summer, and had a really good day wandering around the fairgrounds. We didn’t go on any rides, but did play some of the carny games, got some cotton candy, looked at exhibits, and had a blast watching the Mutton Bustin’!

Human Cannonball, originally uploaded by djwudi.

Another multi-image collage to tide things over while I try to get caught up with photos. I’ve never seen a human cannonball before, and actually didn’t even know this was still done. Pretty cool to see! It’s hard to see at this size, but on the top right image, you can actually see smoke and flame coming out of the barrel of the cannon as he exits.

View Larger On Black

Six Seconds of Cute, originally uploaded by djwudi.

This was one of the best things we saw at the Puyallup fair. Put a kid no older than six (the youngest we saw was three) and no heavier than sixty pounds on a sheep and let them try to hang on for six seconds. Really cute, and really funny!

I took a ton of pictures of this, and now I’m having a terrible time trying to cull them down to just a few that are post-worthy. They’re just all so cute…and kind of hilariously disturbing, since it’s essentially a series of young children falling on their heads. The kind of thing you know you really shouldn’t laugh at, but….

Anyway, I put together this collage as a sample of what each round looked like.

Best Viewed Larger and On Black

Encroachment, originally uploaded by djwudi.

Taken near the Old Fishing Hole in Kent, WA. It was a gorgeous day, and the construction equipment looked really out of place against the blue sky and greenery. I think they were actually just working on some of the golf course that’s just over the rise, but there was something slightly ominous about them from this angle (in a bright yellow sort of way), like it wouldn’t be long before the view was of naught but concrete and steel.

Seattle Pride 2008: Pride Parade: Spectators 37, originally uploaded by djwudi.

Buried in the midst of my Pride photos: my 12,000th photo uploaded to Flickr. Yeesh!

Another 8,000-some shots and I’ll have as many pictures on Flickr as I have tracks in iTunes.

Photowhore and musicwhore, that’s me!

Since 9/11, there has been an increasing war on photography. Photographers have been harrassed, questioned, detained, arrested or worse, and declared to be unwelcome. We’ve been repeatedly told to watch out for photographers, especially suspicious ones. Clearly any terrorist is going to first photograph his target, so vigilance is required.

Except that it’s nonsense. The 9/11 terrorists didn’t photograph anything. Nor did the London transport bombers, the Madrid subway bombers, or the liquid bombers arrested in 2006. Timothy McVeigh didn’t photograph the Oklahoma City Federal Building. The Unabomber didn’t photograph anything; neither did shoe-bomber Richard Reid. Photographs aren’t being found amongst the papers of Palestinian suicide bombers. The IRA wasn’t known for its photography. Even those manufactured terrorist plots that the US government likes to talk about — the Ft. Dix terrorists, the JFK airport bombers, the Miami 7, the Lackawanna 6 — no photography.

Given that real terrorists, and even wannabe terrorists, don’t seem to photograph anything, why is it such pervasive conventional wisdom that terrorists photograph their targets? Why are our fears so great that we have no choice but to be suspicious of any photographer?

Because it’s a movie-plot threat.

…is perfectly legal. Not that this should be a big surprise, but after the City of Seattle settled a lawsuit with a photographer last year to the tune of $8,000, the Seattle Police Department is clarifying its policies.

The Seattle Police Department this week plans to issue a new policy clarifying when bystanders are within their rights to observe and document officer conduct and when they’re interfering with officers’ law enforcement duties, a department official told the City Council’s Public Safety Committee during a briefing Tuesday.

The new policy clearly reminds officers that bystanders have a right to watch or film officers making an arrest, as long as they don’t interfere or threaten their safety….

It also emphasizes that police can’t simply seize someone’s camera for video evidence without cause or court order and suggests alternative means of negotiating with the witness.

(via Seattlest)

About a week and a half ago, six teams of people with dance in their souls — if not their soles — gathered together for a battle royale at Dance Off 2007.

If you were there, you know the pure awesomeness of the spectacle. If you weren’t there (foolish mortal), then at least I can offer this photographic record of the event.

Truly, such fleetfooted feats (feets?) shall never grace a stage again.

Until next year, of course.

I just had someone ask me through my Flickr account about my photography workflow and sales experience, and I figured I might as well put my response up here for…um…posterity? Ego-stroking?

I’ve not yet started to actually try to shoot for a living (though it’s a nice dream), as school and work take up enough time that I can’t devote myself to my hobby. Still, for what it’s worth, here’s what I can tell you….

What is your photography work flow?

These days, I shoot pretty much everything RAW. I haven’t had the money to upgrade to Apple’s Aperture or Adobe’s Lightroom yet, so I use iPhoto for organization and sorting, Adobe Photoshop for RAW conversion and touchups, and then the Flickr Export plugin for iPhoto to upload everything to Flickr.

The basic process is this:

1. Shoot (lots!) in RAW (with my camera set to the Adobe RGB color space).
2. Import into iPhoto.
3. Name and tag everything (I’m using Bullstorm’s Keyword Manager to help with tag organization and editing, as iPhoto’s built-in keyword management is one of the least useful aspects of an otherwise excellent program).
4. Do a first run through the shots, tossing what’s probably worth uploading into an album.
5. Do a second run through the shots. Most of this run is converting the RAW files and doing any touch-ups (which I keep to a minimum, generally little more than exposure and white balance tweaking, occasional cropping, sharpening, and setting the color space to sRGB), but I’ll also make some last decisions on which photos will or won’t be uploaded.
6. Upload to Flickr, assigning shots to sets or sending to one group during upload. Later set management or submitting photos to more groups is done online through Flickr when I get around to it.
7. Do a third cull through the shots, selecting the best of the bunch to be printed out.

[Where] or how do you market or promote your work?

I’ve never really actively done much promotion other than uploading things to Flickr and then telling people about it. When I can, I’ll let people involved in an event know about any event photos I’ve taken (sometimes by e-mail, other times through making posts in online communities focusing on an event or artist), or if I can identify and contact the subjects of shots, I’ll try to let them know directly. Other than that, I don’t do a whole lot.

Have you had any success with online promotion or selling your work through a website, if so which ones are you using?

Nothing major here, really. I’ve experimented with some of the services that have popped up online for helping people sell their work, but as I’ve never really taken the time to actively pursue anything, I can’t really report any great sucesses (or failures, really — I may not be selling much, but I don’t see that as failure when I’m not really trying to sell anything).

What few shots I have sold or had used elsewhere have happened more or less through blind luck — people stumbling on a shot through photo searches, deciding I had something that would work for a project, and asking permission to use it.

I have started getting a few people asking me to shoot events, but it’s not something I’ve started charging for yet (while it’s very flattering to have someone ask, I’m not entirely convinced I’m “pro” enough to ask for money…though I’m certainly not going to refuse if any is offered, either!). Right now, I pretty much just chalk it up to learning experiences, with possibilities for future benefit.

And if you can think of any other ideas for a photographer that is ready to start selling his work full time (my goal). I would greatly appreciate it.

Nothing much comes to mind, mostly because I’m not quite heading that direction yet. Good luck on your quest, though!

The Clothesline Project is a program started on Cape Cod, MA, in 1990 to address the issue of violence against women. It is a vehicle for women affected by violence to express their emotions by decorating a shirt. They then hang the shirt on a clothesline to be viewed by others as testimony to the problem of violence against women.

There’s been a CLP display on the NSCC campus for the past few days. I stopped by yesterday after class and took a few photos. Every time I see this, I’m struck by the heartbreaking and uplifting power of the stories represented by these shirts. Incredible things to see.

I’ve also created a Flickr CLP Project group, as a tag search led me to quite a few other photos of CLP displays around the country.

Word came out this week that Seattle’s Northgate Mall was finally going to be getting an upgrade, part of which is going to involve demolishing the Medical Office Building and the Northgate Theatre that have long stood empty and unused.

Since I had some time to kill yesterday, I wandered down to the Northgate Mall and spent some time wandering around the old buildings. I was able to shoot my way around about three quarters of the soon-to-be-demolished buildings before mall security took noticed and asked me to stop. To their credit, the guy that spoke to me was very polite, just letting me know that the mall didn’t allow photography on mall property, and told me that I’d be welcome to take photographs from the street if I wished.

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