Some semi-serious musing about Discovery season two:
Two things that we know at this point (not the only two things, just two things germane to this): season two starts immediately following season one, and every Klingon we’ve seen in the trailer, including L’Rell, now have their traditional (well, from TNG onward) long, flowing locks.
Which tells me one of three things: there’s a fairly substantial time jump sometime during season two, Klingon hair grows extremely quickly, or the Discovery producers were so intent on satisfying this particular aspect of fanwank that they didn’t think about that aspect.
Or, I suppose, the Klingon market for hair weaves suddenly exploded.
While I enjoy the #Marvel Cinematic Universe, comics were never a huge thing for me growing up, so I don’t have the same connection to #StanLee that many of my friends do. But Lee’s influence was felt even in the #StarTrek universe. #LLAP, he most definitely did.
Sometime between October 2nd and November 9th, I thought this stuff was interesting. You might think so too!
‘Star Trek: Short Treks’ Michael Chabon, Aldis Hodge Interview [SPOILERS]: “I started thinking about The Odyssey and the story of Odysseus landing on the Isle of Calypso,” Chabon tells The Hollywood Reporter. “He’s been out wandering for a long time, and she takes him in and falls in love with him. He’s been traumatized and is now just trying to get home, but has this strange magical interlude on the way.”
What Makes ‘The Good Place’ So Good?: “NBC gave Michael Schur total freedom. So the TV impresario made a sitcom that’s also a profound work of philosophy.” This show is so very good. My dad would have loved it.
This quote from Michael Chabon, writer of the just-released Short Treks episode Calypso, about his work on the in-development Picard series, gives me a lot of hope for that series:
Now that I’m working on the show and now that I’m part of Star Trek, I feel like it’s my responsibility to make sure that the current model is true to the ideals of the original show, the ideas of tolerance and egalitarianism. Obviously, you look at the way women are represented on The Original Series, and that show fell far short of its stated ideals of egalitarianism, although at least they did have women in some positions of responsibility. But I think we have this responsibility to continue to articulate a hopeful, positive vision of the future. I think if anything that’s more important now than it was when The Original Series came out. It was really important then, and it had a profound impact, socially, with Lieutenant Uhura on the bridge of the Enterprise, and this message that we can think our way out of our most primitive violent instincts.
To me, dystopia has lost its bite. A, we’re living in it, and B, it’s such a complete crushing series of cliches at this point. The tropes have all been worked and reworked so many times. There was a period where a positive, optimistic, techno-future where mankind learns to live in harmony and goes out into the stars just to discover and not to conquer, that was an overworked trope. But that is no longer the case. A positive vision of the future articulated through principles of tolerance and egalitarianism and optimism and the quest for scientific knowledge, to me that’s feels fresh nowadays.
The first Short Trek, focusing on Tilly, was cute and funny, but had too many plot holes to really stand up. But this month’s, _Calypso_, is much better. Plus, as its writer, Michael Chabon, is part of the team behind the in-development Picard series, I’m more optimistic about that one when it appears.