An automatically generated list of links that caught my eye between March 31st and April 2nd.
Sometime between March 31st and April 2nd, I thought this stuff was interesting. You might think so too!
- Rosie’s Phenomenal Precision Insult Machine!: Don't reach for those old, tired gendered, ableist, or otherwise lazy and harmful insults. Trust the machine to help you find the perfect, targeted insult for your specific needs! (Does not contain gendered- genital-based insults, sexism, racism, homophobia, transphobia, dis-ableism, body-shaming, slut-shaming. May contain peanuts.)
- Joss Whedon’s obsession is not feminism: The problem is that at some point in his career, Joss became so intent on the masochistic fantasy of being hated by strong women for being a nerd that he spent a decade writing stories about violating those women to ensure they would hate him.
- Of dwarves and gender: So one day a dwarf is talking to a human and finally realizes that when humans say woman, they generally mean “person who is theoretically capable of childbirth” because for whatever reason, humans assign social expectations based genital differences.
- On Wm. Golding’s Lord of the Flies: Basically all the good Golding scholars agree that Lord of the Flies is intended as a condemnation specifically of western positivism and superiority, not a condemnation of human nature. Golding believed that good societies were possible, but that he was not living in one.
- What’s Wrong With Using The Word “Gypsy?”: TL;DR: It's racist. Here is a list of myths and realities about the Romani/Roma people.
An automatically generated list of links that caught my eye between 13:25 and 16:32 on March 30th.
Sometime between 13:25 and 16:32 on March 30th, I thought this stuff was interesting. You might think so too!
- The Male Power Fantasy (and why Mad Max and Captain Kirk don’t fit): This relates to a theory I have, which is that the archetypal Western Male Hero is James Bond, to the degree that people (Mainly straight white men) start to see every Western Male Hero as James Bond. Which is to say an aggressively masculine, quip-spitting, hyper violent womanizer. The ultimate Male Power Fantasy. A new supermodel love interest (or two) every film, a gun in his hand, and no consequences for his actions.
- So many biological genders: If anyone tells you that there are 2-3 sexes in the world I want you to just go ahead and slap them.
- Fight Club and toxic masculinity (with a side of Mad Max: Fury Road): Hold up – you mean there are people who watch Fight Club and don’t realise that Tyler Durden is meant to be full of shit?
- Geisha FAQ: Please do not spread misconceptions about these hard-working women artists. They deserve respect and have persevered for centuries with women at the forefront of these professions.
- Earth is dangerous: I really want a science fiction story where aliens come to invade earth and effortlessly wipe out humanity, only to be fought off by the wildlife.
- Of privilege and nostalgia: The reality is, there was never a time when everyone could just enjoy things. To be able to say you had that time is to admit the privilege you had at not having to think about problematic behavior because it didn’t negatively affect your life.
- To everyone else in the galaxy, all humans are basically Doc Brown.: Random Headcanon: That Federation vessels in Star Trek seem to experience bizarre malfunctions with such overwhelming frequency isn’t just an artefact of the television serial format. Rather, it’s because the Federation as a culture are a bunch of deranged hyper-neophiles, tooling around in ships packed full of beyond-cutting-edge tech they don’t really understand.
- Snarky but amusing and thorough Romeo and Juliet analysis: SUMMARY: Romeo and Juliet is a stunningly rich play that is mostly about how feuds fuck people over badly and how if you have to wait until YOUR KIDS OFF THEMSELVES to figure that out you deserve to lose your children. Romeo and Juliet are victims of the feud and its mindless death-lust, not perpetrators of death on others. They’re not supposed to be figures of ridicule OR representatives of True Love: they’re supposed to make the audience go “oh BABIES, no, you’re going to end so badly” and then be sad when they do.
- The singular “they”: Next time someone complains about singular “they” I’ll point them to this 17th century rant against singular “you”.
We hear that Brenda Chapman, the first woman director at Pixar, has left the studio and is no longer directing _Brave_. We hear that she was pushed aside from full directing a while back, and that story artist Mark Andrews has taken over directorial duties.
Long-time readers will know of my concerns regarding Pixar’s long-running marginalization of women in their films (Is Pixar a “Boys Only” Club?, Rataphooey, Misogyn•E, More on Pixar (Or, Why I Suck at Soundbites), Pixar and Gender, and Things That Bugged Me About Up).
Even given all of that, I’ve been cautiously optimistic about Pixar’s next film, Brave, for some time now. It looked like Pixar was finally cracking the clubhouse door open. Not only is the main character a girl, but the film was being written and directed by Brenda Chapman — the first time a Pixar film has had a woman directing — and she had written the film with her daughter in mind. No guarantees, but all promising signs.
Unfortunately, the rumor mill of the past few days seems to be indicating that not only is Brenda Chapman no longer directing Brave, but she has left Pixar entirely.
Crazy rumors floating into our offices this afternoon from reliable sources. We hear that Brenda Chapman, the first woman director at Pixar, has left the studio and is no longer directing Brave (previously titled The Bear and the Bow). We hear that she was pushed aside from full directing a while back, and that story artist Mark Andrews (who also co-directed the Pixar short “One Man Band”) has taken over directorial duties.
Disturbing to hear, and I’m very curious as to what happened to prompt this move. Obviously, there are a number of possible reasons, many of which will likely have little to nothing to do with any real or perceived sexism. Also, it’s entirely possible that Pixar may still be able to release a good, quality film with a strong female lead character, and I certainly hope that they do, no matter who ends up directing Brave. That said, losing (dismissing? firing?) their first woman director doesn’t bode well for finally losing the “boys club” impression.